During the Middle Ages, Catholicism was the central power in Europe. It was incorporated into every aspect of life and its power stretched to every corner of the known world. And one of the methods through which the Church asserted its power was music. Although modern churches regularly use music as a natural part of worship, the pairing of music and Christianity has not always been so straightforward. A thousand years ago, music was often regarded as sinful. The problem was, churchgoers tended to enjoy it, and the fathers of Catholicism understood that it could be used to strengthen people’s ties to the Church.

Accordingly, music was eventually incorporated into Catholic worship, and vise versa. The sheet music of the era is often adorned with religious frescos. The monasteries and abbeys of the period created and stored huge quantities of sheet music, up to 4000 texts at a time in some cases. Indeed, it was this mass production of recorded music that led to the evolution of square notation. The monks needed a universal way to record and recognize the music written by their peers in other monasteries; square notation made this possible.

However, church was not the only place a person living in the Middle Ages would hear music, not by a long shot. Also common at the time were wandering poets, or troubadours, who were the keepers and purveyors of secular music. Some of the oldest surviving sheet music was written by these people, who were encouraged in their work by patrons such as Eleanor of Aquitaine. The area of Provence, modern day southern France, was particularly known for its troubadours, and the region is said to have been known as The Land of Song.

The Church is known to have fought the advent and proliferation of secular music, which it would certainly have regarded as sinful in the extreme. However, fortunately for us, it was unable to stem the music’s spread. The most popular topic of such secular music was that of courtly love, which may explain why the Church was so against it. Courtly love deals with situations in which lovers are unable to consummate their feelings, usually because one or both is wed to another. This theme is still famous today thanks to the well-known story of King Arthur, Queen Guinevere, and Sir Lancelot. Other popular secular topics included the seasons, the crusades, beautiful women, and nature, all of which were idealized and exalted in song. Such songs would never have become as ubiquitous as they were, however, without the sheet music produced by the troubadours of the age.

Victor Epand is an expert consultant for guitars, drums, keyboards, sheet music, guitar tab, and home theater audio. You can find the best marketplace at these sites for guitars, drums, keyboards, sheet music.

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Because of the role music plays in the church service, the offertory must be selected with care. Think about where the solo will occur in the order of worship. Are you following a lively choral anthem that will lead right into the congregational worship? Will the offering follow a generally somber prayer for the needs of the congregants? If you find yourself in a church without a strong liturgical tradition as I do, the positioning of the offertory may be altered weekly. There are few scenarios worse than a grandiose arrangement that follows a quiet time of meditation. Without advance thought and planning, you can sometimes find yourself in an awkward situation.

Additionally, it is important to think about your congregation. An uber-contemporary church may not respond to a classical setting of your favorite hymn. In contrast, the latest praise and worship chorus is probably not the best option for a high liturgical service. Most of us probably find ourselves somewhere in the middle of these two extremes – in what is commonly referred to as a blended service. In these settings, the choices become more difficult and more exciting as well. How often have you tried to find a great arrangement that blends a contemporary chorus with a traditional hymn without giving the impression that one of the pieces is more important or, worse still, more holy? There are a few arrangers today who are doing just these type of settings, but they are few and far between, generally demanding extreme technical facility as well.

More often, I find myself looking for arrangements of hymns that are approached with harmonic and rhythmic freshness. My current congregation is a multi-generational group with eclectic tastes in music. I have quickly accepted the fact that I will never please everyone present with my selections. Because I have so many preferences in my congregation, I get to explore some unusual settings. Some of our favorites are jazz settings of hymns such as Leaning on the Everlasting Arms and a complex harmonic treatment of Great is Thy Faithfulness. I didn’t begin using these unusual arrangements immediately though; just as with all other areas of ministry, as the congregation develops trust in you as a music minister (for that is what every church pianist should strive to be), they will also extend that trust to your musical selectivity.

Here are a few closing thoughts on making your weekly offertory a highlight of the weekly service for those that you serve.

Select pieces weekly in an attitude of prayer. All too often we forget that our solo will be a part of the worship service. We can simply choose to provide pretty background music while the important activity of collecting the congregation’s cash is performed. I think the better decision – and the one for which we strive – is to play music that is anointed by the Holy Spirit to aid those who are hearing as they worship in the act of giving.

Always have a few selections that you can fall back on. We’ve all been in the situation where the week got too hectic and our preparation time suffered. Perhaps the scheduled soloist became ill at the last minute, making the planned offertory less than desirable. Having a few selections in your back pocket gives you some flexibility whenever the need arises to make a last minute substitution. Use them sparingly though or they will become part of the normal rotation and you’ll find yourself in need of some new fall-backs.

Don’t sacrifice beauty for showmanship. Have you ever listened to a church pianist play a solo only to later ask “What WAS that song?” The arpeggios are beautiful and the tricky scale passages are impressive, but if they get in the way of the music’s message, we’re taking the focus off of the One we are to worship and shining the spotlight directly on ourselves. (Ouch…is anyone else feeling the sting of those toes that were just stepped on?)

NEVER attempt to play beyond your technical abilities! As a musician, I am all for stretching myself and continuously developing my technique. The worship service is not a practice hall, though. Just as bad as shining the spotlight on how beautifully we play is presenting a glaring example of an ill-prepared solo as part of a worship service. I am not in competition with the pianist at the church across the street, so I don’t have to attempt to play as beautifully as she does. I just have to bring my musical offering to the Heavenly Father each week as a loving sacrifice that brings Him honor and my worship. When we try out that new arrangement that is just a bit too difficult (or – Heaven forbid – completely beyond our skills) we risk interrupting the flow of the service and distracting the congregation from their worship.

Always play for the Audience of One. This is the last point on my list because I believe it is the most important one. All that I am as a Christian, a musician, and a person is because of Jesus. It is a wonderful feeling to have an audience respond to beautiful playing with appreciative applause – and, let me add, there is nothing wrong with receiving these accolades! Scripture teaches us to give honor to whom it is due. More than anything though, I want the applause of Heaven that comes as I play for the audience of One – the One who gave His all that I might have life. He is the source of the music and our constant goal should be that our music bring attention only to His grace, mercy, and greatness.

Do I get tired of trying to find a new piece each week? Of course! Like everyone else, I have a core set of arrangements that I rotate through. But the blessing of sharing my gift with God’s people outweighs the long rehearsals. Occasionally, God opens doors because of our obedience as well. A few years ago, the congregation provided an opportunity to professionally record some of my favorite arrangements. In July, I will have the chance to sit down in the studio again and record two new CDs – one for Christmas, the other songs of praise and thanks.

Happy playing!
Kennith

A graduate of the University of Memphis (M.M. and D.M.A.) and Pepperdine University (B.A.), Dr. Kennith Freeman is an active pianist. A native Arkansan, Freeman is currently a member of two chamber ensembles: the Cox-Freeman Duo and the 3-D Trio. In addition to his performing schedule, Dr. Freeman is a member of the music faculty at Mid-South Community College in West Memphis and serve as Director of Music and Children’s Ministries at Abundant Grace Ministries in Collierville, Tennessee. Follow his thoughts about all aspects of collaborative piano and church music at http://freemanpiano.blogspot.com/

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Give Me a Beat

Arguably, the drum set is what makes a worship service “contemporary”. A drum set can be
a significant expense, but it doesn’t have to be. If your church is planning to offer a
contemporary worship service, consider the following when it comes considering a drum
set:

1. Is volume control an issue? Some churches may need to control the volume of a drum set. Maybe the church is too small or is connected to other buildings that require the volume to be kept at a low level. If this is imperative, an electronic drum set may be what you need. It will allow complete control of the volume of the kit without the drummer having to “hold back”. In addition to this volume control, the sound of the kit can be processed to allow more character to each song.
2. In a word: space. Is the stage or platform going to feel a bit crowded after all of the speakers and instruments are added? Again, an electronic drum set may be the solution. An electronic drum set will take up much less space, leaving room for the guitar amps and keyboards.
3. The sound quality of a used drum set can be every bit as good as a new drum set. Looking for a used drum set will allow you to get the most drum for your dollar. The same goes for cymbals, by the way.

These are some of the things that need to be considered when adding a drum set to your
contemporary worship service. Buy drums online
to find a huge selection of drum sets, drum hardware, cymbals… even practice CDs and videos –
all at very low prices.

Ryan has been drumming for over 20 years and has created a site that allows online shoppers to find the best deals on drums and drum-related videos, books, and CDs. His site can be found at http://www.lowpricedrums.com

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1) Practice the piano and more preferably the songs you will be playing early in the week and often.

2) Sing while you play so you can have a feel for how well your playing will mesh with the singing.

3) If you use sheet music make sure it is organized and ready to go. Write up your introductions and endings or make sure the ones you have used before are the ones you will want to use this time.

4) If you are accompanying a soloist make sure you set aside good time to practice.

5) If you are still working on your craft then make sure you are studying your piano lessons and practicing those in ADDITION TO practicing your Sunday songs. Don’t stagnate. Add to your skills. Learn new songs or new ways of playing old favorites.

6) If you are the worship planner also a nice resource to have is an index that lists songs by scripture,by topic, and by key.

7) Don’t give up because you don’t have a piano. A keyboard will keep you going until the Lord sees fit to bless you with a piano. Truly. This happened to me.

Do you want to play in a particular style? You could just purchase music that is arranged in the style you want to play. But an easier option is to learn what specific notes or chords are making that special sound.

Use these ideas for how you can keep yourself together so come Sunday morning you can concentrate on making a joyful noise for the Lord!

See more ideas for a beginning church pianist in my book The Struggling Church Pianist

K Quinn is a church pianist. Visit her website and download some free musician tools at…
http://www.strugglingchurchmusician.us

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If you get an opportunity to play piano for your church or any church, remember who is giving you the chance to play in the first place. It’s not by accident that you are in the position that you’re in. I’ve seen to many pianists who play for the church thinking they are the best piano players that ever graced the face of the earth. Eventually they are brought back down to earth, hard. They no longer play the piano for anyone and they wish they had their position back. Pride comes before the fall. It’s true. God can put anyone who is willing and has the right heart in place of you if you are not humble. I tell you this because I don’t want you mess things up for yourself. Even if you are brand new to the piano, keep what I have said in the back of your mind.

Never think that you are at a concert performing. People may cheer or clap and you might feel like your putting on a show. You’re not in show business when your playing worship piano for the church. You are there only to benefit the body and glorify God. I said that twice because you have to know this. Of course you can have fun with songs. You can ad your own musical spin to songs but don’t be self centered. If the worship leader wants a certain thing played, don’t argue with them. If you are the worship leader, be sensitive to what God wants you to play. Yes, God speaks through his Holy Spirit. If you feel strongly about something you don’t always have to make it known. Sometimes you may have to play song that you don’t particularly like. If found that these things have built character, improved my piano playing and even helped my have a deeper relationship with God.

visit http://www.lifesmusic.com. My name is Bryan and I’ve been playing the piano for over ten years. To learn to play the piano by ear go to http://www.lifesmusic.com.

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I wanted to give you a little something that I think may help you as a choir director or worship pastor/worship leader. This is a very simple concept that I myself have used, and it has changed my life. This simple idea can revolutionize your worship services and it can change your life as well! I’m sure by now you’re thinking, “Joe, what single piece of free information can you possibly offer to us that can both revolutionize our worship services and change our lives?!?” Well to that I say, “You’ll be surprise!” You see, when I reveal the details of this “thing” that will change everything, your initial reaction may be, “We already do that! We don’t need help in this area, and this article is clearly not for us.” Well, just give me a minute; If you’ll really get honest with yourself and think back into the past when things may have gone wrong with your church choir music, or maybe just didn’t go as well as you had hoped for, you’ll see what I mean. Ok, enough with the waiting game, what am I talking about? What is this thing that is going to change everything for me?

Preparation.

I have learned to live by what I call the 5 P’s: Proper Preparation Prevents Poor Performance.

With reluctance, I had to admit that I was wrong in the way that I did things for the first few months in the ministry. You see, we all too often get all caught up in the job! What we forget is that this is not just our job. This is our honor, to serve the risen Savior, and deliver our very best praise! So let us begin to actually take the time to do the things that they don’t teach you how to do! Let’s spend more time planning, and less time talking, and almost instantly, an amazing thing may happen. I have seen our worship services get so much better! There is no more dead space, no more wondering what was going to happen next! YOU’RE the choir director, or the choir member, or the worship leader! You need to know what is going to happen next, because guess what?!? Nobody else does! Be prepared! Be ready! How do you do this?

1. Know what songs you are singing as congregationals no later than the Tuesday before the upcoming Sunday. (This one is a given, if you don’t already do this, shame on you.)

2. Sketch out on a yellow notepad what you plan to say to welcome your congregation to God’s house, what you’ll say as an introduction to each song, and how and when you’ll lead the church in prayer.

3. Know how long each song is going to be. Everyone deserves an ample amount of time to do his or her individual parts in the worship service. Don’t cut your Pastor or your special music short. This is disrespectful. They probably won’t say it, but I bet they’re thinking, “Am I not worth a little more preparation and planning so that I have time to do what God has lead me to do?”

4. Leave a little wiggle room. You don’t know what may happen to cause the service to be slightly off schedule. You never know how the Holy Spirit will guide you or someone else during the service. Allot a few extra minutes in case something changes.

All that to say, when you become a better planner, and you learn to prepare more thoroughly, you may find that the leading of the Holy Spirit is a little easier to find on those Sunday mornings. Why? Because God is pleased; you have been a good steward of the time He has given you.

I hope this helps, and always, pray every decision through.

Joe Cox is Minister of Music, Concert Pianist, and internet marketer.

http://www.churchchoirmusicnow.com/

http://www.churchchoirmusicnow.com/church-choir-music/proper-preparation-for-church-choir-music

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Express Your Interest

Most churches make it easy to get started in their music ministries, and musicians are always in demand. Most worship leaders are looking for musicians with experience, but if you express a strong interest, chances are you can find a place to start even if you are a beginner. Look on the church’s website for a staff directory to contact the staff member in charge of music.

Take Lessons

One of the fastest ways to learn guitar for any purpose is to take lessons. Fortunately, modern worship music is very straightforward. Even with three or four chords under your belt you can begin to take on many of the songs in your church’s repertoire. Contact a local music store, or better yet, one of the guitarists on the worship team to get started.

Join a Worship Team

If you are new to the guitar, serving in a children’s ministry or a bible study can be a good place to start. Ask about sitting in through some rehearsals until you are up to speed. You can play unplugged if necessary, then once your skill level has increased, you can plug in and join the band. While you are practicing on your own, try playing along with CDs of worship music. Once you can keep up with the recordings you will be ready to join the worship team.

Serving in a worship team can be a great opportunity to give of yourself, build relationships and grow as a musician. Just get started and you will likely find music ministry to be a life-giving and rewarding experience.

Find Out More About Play Guitar For Church? Get Professional Learn Guitar Lessons Here.

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While early traditions of the church are sometimes seen as far different from modern practices, congregational singing was always an important element in the early church. From the earliest days of the church, the practice of singing psalms has taken place. To a large degree, psalm singing is a carry-over from synagogues. The elementary form grew from the practice of morning and evening prayers. Over the years, the styles of psalm singing have changed as cultures as well as musical tastes have evolved throughout time. In the last few years, the practice of singing has experienced a strong resurgence. One of the primary events that led to this resurgence occurred when Latin gave way to vernacular within the church. As a result, new settings needed to be composed. This was an important change within the tradition because it then made it possible for the congregation to take part in singing the psalms in a more meaningful way. That tradition of singing has carried over into modern times. Today, singing within the church is considered to be a favored part of worship. Depending on the nature of the hymn, singing within the church can allow the congregation to express the various moods of worship.

The Pope has said that singing in choir and receiving choir training can provide an education in peace as well as in life. He pointed out that when worshippers sing together, the practice commands the attention of each person so that they are able to walk together in peace.

This is exhibited in stunning clarity when The Priests perform together. In fact, when The Priests were receiving vocational training in Rome, their unique and combined talent was discovered and truly appreciated for the first time. The group, which had already sung together for many years, was chosen by the private secretary of the Pope to perform for him. They then went on to perform in the Vatican choir. Although the group later returned to Ireland to serve in different parishes, they have continued their love of singing and have continued to perform together.

Today, the Priests are continuing the long tradition of singing in the Catholic Church. Their ability to share their amazing combined talent and their unique expression of favorite hymns will be greatly broadened when their debut album is released this coming fall. Although the tradition has not historically included seeing priests become recording artists, this move will no doubt provide great benefit to the church.

Peter Ruppert is an avid fan of catholic hymns. Find out more about Catholic Hymns on the official The Priests website

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One of the major issues to be found when it comes to church audio systems are unwanted echoes, reverberations and amplifications of certain frequencies caused by the large, open design of the main worship area itself. Many churches boast high ceilings with angular walls, and most of the time, these rooms are rectangular in shape. Rectangular or square, ‘boxy’ rooms have a troublesome habit of creating what are called ’standing waves’ of sound. The waves are caused by low-frequency sound bouncing from wall to wall around a room. Standing waves can radically change the way that sound is perceived, depending on the position of the listener. Church attendees in the front row may have trouble hearing certain parts of a sermon or musical piece but others scattered throughout the room may actually be assaulted by amplified low-end frequencies which drown out the whole of the sound itself.

There are a few possible solutions to this problem. The first is to install what are called bass traps. Bass traps are boxes made of wood and filled with fiberglass that act to absorb low frequency sound before it can be reflected. They accomplish this by vibrating when hit with a sound wave – unlike stiff walls, which reflect instead of vibrate. Properly placed bass traps around a church hall can be an excellent method for ensuring that the both music and speech are able to be heard with clarity by all attendees.

Alternatively, room equalization (EQ) can be employed instead of bass traps. EQ is the art of managing the balance of frequencies leaving a sound system so that they match the acoustic properties of the space where the system is placed. Equalization can be performed manually, or it can be done automatically by the device itself. When it comes to manually equalizing a church hall for a specific type of sound, sound engineers can actually enter in the size parameters of the space in front of them, as well as the approximate number of people who will be occupying that space. Even the materials that the church has been constructed out of can be taken into consideration. Once this has been entered, algorithms within the device itself can automatically adjust the sound coming out of the loudspeakers so that it is clear and bright, no matter where people are listening from. More advanced equalizers actually use microphones placed throughout a church and ‘listen’ to the sound that is being recorded. They then use a spectrum analysis which examines the frequency distribution in the room and automatically adjust the EQ to compensate for any trouble spots.

Khary Reynolds is a Pro Account Manager for Guitar Center Professional, specializing on sound system design. He is experienced in putting together sound and live sound systems from the ground up as well as music and pro audio product sales. Also a certified CTS by Infocomm International, the trade association for the A/V industry, Khary is dedicated to go above and beyond expectations, establishing himself as a respected resource. Visit his site, http://www.audiogearpro.com

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If you know how to play the piano already, you probably already know how different chords relate to each other. If you don’t play the piano, it doesn’t matter. You can learn to play. Just knowing how chords relate to each other is not enough. For instance instead of playing a basic C major chord, why not play a C in the bass (left hand) and play an E minor chord on your right hand. You can play a C major 7 chord if you want. I don’t like this chord. There is so much you can do on the piano. To play worship piano you should know not only basic chords but how to combine different chords to produce different sounds. This is one key to effectively play worship piano.

Another vital thing about worship piano is dynamics. By dynamics I mean when to play loud or soft. For some people this comes naturally. For others, you are going have to listen to worship music. To play worship piano you need to listen to worship music. It’s as simple as that. You need to learn when you are supposed to quiet down. Maybe someone may be talking and you don’t want to play over top of them. You also need to learn techniques to playing worship piano when playing louder. Remember there is always something you can still learn.

You don’t have to be extremely talented to play worship piano for your church. All need to do is work hard. Hard work is the answer. I’m not talking about playing the piano until you are sweating bullets and your fingers are cramping up. I just mean that you need to practice everyday. If you do, you will not only be able to play worship music but any other type of music you put your mind to.

Visit http://www.lifesmusic.com My name is Bryan and I’ve been playing the piano for over ten years. To learn to play the piano by ear go to http://www.lifesmusic.com.

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