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Offertory Success

One of the first tasks that will be given to any church pianist is that of providing a weekly offertory. While some may consider the presentation of a solo one of the easier aspects of the position, I feel that the quality of the weekly offertory is one of the major factors that distinguishes a good church musician from a superb one.

Because of the role music plays in the church service, the offertory must be selected with care. Think about where the solo will occur in the order of worship. Are you following a lively choral anthem that will lead right into the congregational worship? Will the offering follow a generally somber prayer for the needs of the congregants? If you find yourself in a church without a strong liturgical tradition as I do, the positioning of the offertory may be altered weekly. There are few scenarios worse than a grandiose arrangement that follows a quiet time of meditation. Without advance thought and planning, you can sometimes find yourself in an awkward situation.

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Drama And Audio Theatre In The Medieval Church

It was during the Medieval Period that the first church dramas began to appear. As Richard Courtney, famous drama teacher and theatre scholar, pointed out that the Mass itself of course has the seeds of drama – chanted dialogue and a theme of action, but not the essential quality of impersonation.

Impersonation began with the trope sung during the night before Easter. A trope was an extra chant written to accompany church music on special occasions. In the Mass, the trope had been sung by the choir. When repositioned, it became a separate little scene performed at Matins on Easter morning; much like a tiny opera, three people impersonated the Marys and one the angel before an improvised sepulchre.

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Church Music – The Good, The Bad, and The Ugly

Over the past couple of decades the “praise band” has become more and more popular in churches. In the past, the only way the average church member participated in the music was singing the hymns with everyone else or singing in the choir. Either way they were singing with a larger group, so if they weren’t very good at singing, it didn’t matter. With the advent of the praise band, that changed and the result has sometimes been pretty bad. So, what do you do when someone who isn’t very good wants to be a part of the band?

Exposed:

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