During the Middle Ages, Catholicism was the central power in Europe. It was incorporated into every aspect of life and its power stretched to every corner of the known world. And one of the methods through which the Church asserted its power was music. Although modern churches regularly use music as a natural part of worship, the pairing of music and Christianity has not always been so straightforward. A thousand years ago, music was often regarded as sinful. The problem was, churchgoers tended to enjoy it, and the fathers of Catholicism understood that it could be used to strengthen people’s ties to the Church.

Accordingly, music was eventually incorporated into Catholic worship, and vise versa. The sheet music of the era is often adorned with religious frescos. The monasteries and abbeys of the period created and stored huge quantities of sheet music, up to 4000 texts at a time in some cases. Indeed, it was this mass production of recorded music that led to the evolution of square notation. The monks needed a universal way to record and recognize the music written by their peers in other monasteries; square notation made this possible.

However, church was not the only place a person living in the Middle Ages would hear music, not by a long shot. Also common at the time were wandering poets, or troubadours, who were the keepers and purveyors of secular music. Some of the oldest surviving sheet music was written by these people, who were encouraged in their work by patrons such as Eleanor of Aquitaine. The area of Provence, modern day southern France, was particularly known for its troubadours, and the region is said to have been known as The Land of Song.

The Church is known to have fought the advent and proliferation of secular music, which it would certainly have regarded as sinful in the extreme. However, fortunately for us, it was unable to stem the music’s spread. The most popular topic of such secular music was that of courtly love, which may explain why the Church was so against it. Courtly love deals with situations in which lovers are unable to consummate their feelings, usually because one or both is wed to another. This theme is still famous today thanks to the well-known story of King Arthur, Queen Guinevere, and Sir Lancelot. Other popular secular topics included the seasons, the crusades, beautiful women, and nature, all of which were idealized and exalted in song. Such songs would never have become as ubiquitous as they were, however, without the sheet music produced by the troubadours of the age.

Victor Epand is an expert consultant for guitars, drums, keyboards, sheet music, guitar tab, and home theater audio. You can find the best marketplace at these sites for guitars, drums, keyboards, sheet music.

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Give Me a Beat

Arguably, the drum set is what makes a worship service “contemporary”. A drum set can be
a significant expense, but it doesn’t have to be. If your church is planning to offer a
contemporary worship service, consider the following when it comes considering a drum
set:

1. Is volume control an issue? Some churches may need to control the volume of a drum set. Maybe the church is too small or is connected to other buildings that require the volume to be kept at a low level. If this is imperative, an electronic drum set may be what you need. It will allow complete control of the volume of the kit without the drummer having to “hold back”. In addition to this volume control, the sound of the kit can be processed to allow more character to each song.
2. In a word: space. Is the stage or platform going to feel a bit crowded after all of the speakers and instruments are added? Again, an electronic drum set may be the solution. An electronic drum set will take up much less space, leaving room for the guitar amps and keyboards.
3. The sound quality of a used drum set can be every bit as good as a new drum set. Looking for a used drum set will allow you to get the most drum for your dollar. The same goes for cymbals, by the way.

These are some of the things that need to be considered when adding a drum set to your
contemporary worship service. Buy drums online
to find a huge selection of drum sets, drum hardware, cymbals… even practice CDs and videos –
all at very low prices.

Ryan has been drumming for over 20 years and has created a site that allows online shoppers to find the best deals on drums and drum-related videos, books, and CDs. His site can be found at http://www.lowpricedrums.com

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Express Your Interest

Most churches make it easy to get started in their music ministries, and musicians are always in demand. Most worship leaders are looking for musicians with experience, but if you express a strong interest, chances are you can find a place to start even if you are a beginner. Look on the church’s website for a staff directory to contact the staff member in charge of music.

Take Lessons

One of the fastest ways to learn guitar for any purpose is to take lessons. Fortunately, modern worship music is very straightforward. Even with three or four chords under your belt you can begin to take on many of the songs in your church’s repertoire. Contact a local music store, or better yet, one of the guitarists on the worship team to get started.

Join a Worship Team

If you are new to the guitar, serving in a children’s ministry or a bible study can be a good place to start. Ask about sitting in through some rehearsals until you are up to speed. You can play unplugged if necessary, then once your skill level has increased, you can plug in and join the band. While you are practicing on your own, try playing along with CDs of worship music. Once you can keep up with the recordings you will be ready to join the worship team.

Serving in a worship team can be a great opportunity to give of yourself, build relationships and grow as a musician. Just get started and you will likely find music ministry to be a life-giving and rewarding experience.

Find Out More About Play Guitar For Church? Get Professional Learn Guitar Lessons Here.

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One of the major issues to be found when it comes to church audio systems are unwanted echoes, reverberations and amplifications of certain frequencies caused by the large, open design of the main worship area itself. Many churches boast high ceilings with angular walls, and most of the time, these rooms are rectangular in shape. Rectangular or square, ‘boxy’ rooms have a troublesome habit of creating what are called ’standing waves’ of sound. The waves are caused by low-frequency sound bouncing from wall to wall around a room. Standing waves can radically change the way that sound is perceived, depending on the position of the listener. Church attendees in the front row may have trouble hearing certain parts of a sermon or musical piece but others scattered throughout the room may actually be assaulted by amplified low-end frequencies which drown out the whole of the sound itself.

There are a few possible solutions to this problem. The first is to install what are called bass traps. Bass traps are boxes made of wood and filled with fiberglass that act to absorb low frequency sound before it can be reflected. They accomplish this by vibrating when hit with a sound wave – unlike stiff walls, which reflect instead of vibrate. Properly placed bass traps around a church hall can be an excellent method for ensuring that the both music and speech are able to be heard with clarity by all attendees.

Alternatively, room equalization (EQ) can be employed instead of bass traps. EQ is the art of managing the balance of frequencies leaving a sound system so that they match the acoustic properties of the space where the system is placed. Equalization can be performed manually, or it can be done automatically by the device itself. When it comes to manually equalizing a church hall for a specific type of sound, sound engineers can actually enter in the size parameters of the space in front of them, as well as the approximate number of people who will be occupying that space. Even the materials that the church has been constructed out of can be taken into consideration. Once this has been entered, algorithms within the device itself can automatically adjust the sound coming out of the loudspeakers so that it is clear and bright, no matter where people are listening from. More advanced equalizers actually use microphones placed throughout a church and ‘listen’ to the sound that is being recorded. They then use a spectrum analysis which examines the frequency distribution in the room and automatically adjust the EQ to compensate for any trouble spots.

Khary Reynolds is a Pro Account Manager for Guitar Center Professional, specializing on sound system design. He is experienced in putting together sound and live sound systems from the ground up as well as music and pro audio product sales. Also a certified CTS by Infocomm International, the trade association for the A/V industry, Khary is dedicated to go above and beyond expectations, establishing himself as a respected resource. Visit his site, http://www.audiogearpro.com

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God has given us talents to sing his praises and playing guitar for the church is one of the greatest ways to glorify God. There are several well known duets, solo artists and even bands that go from church to church playing gospel music for God’s glory. You too can learn guitar for god praising.

I’ve had the honor of playing in a band while singing in a few churches and I know there’s no greater feeling than to be blessed with the knowledge that you had blessed others with your music. Whether you’re an experienced guitarist or you’re just starting out, God will inspire you to play guitar for worship. By asking Jesus Christ to come into your heart, you would have made a commitment to bless others. This would make one start to appreciate the life that Jesus Christ sacrificed himself for in a different light.

In modern days, several churches have their own sounds systems built in with microphones and amplifiers. The acoustics are pretty amazing in the sanctuary of the church and provide a rich and clear sound. One important tip is that you should choose the most appropriate songs that will bless the majority of people in your congregation. Another tip is to make sure you pick songs you will be the comfortable playing and singing at the same time.

Practice and learn everything you can about playing the guitar and the different major guitar chords. You can play several church gospel hymns with only three guitar chords and a few gospel songs with as little as two guitar chords. Once you learned the basic chord progressions of songs, you should then practice those songs over and over to make them perfect. Finally, be sure to record yourself and listen to the recordings for any improvements that need to be made. This will help you polish up your skills in playing worship guitar. Have lots of fun while you learn guitar for praise!

Find Out More About Learn Church Guitar? Get Professional Lessons On How to Play Guitar Here.

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Before I share some thoughts with you I’ll explain our church so you can understand where I’m coming from.

Our church is a small country church nestled in the foothills of North Carolina.

The people are very friendly and family-oriented. Most of the members have lived in the area their entire life.

What I’m trying to say is…the needs of the church determines the criteria for the church pianist.

In some churches, the church pianist may be the only music person available. In this case, the pianist may have to lead the congregation and choir in song while playing the piano. What a challenge! I know at least one of my readers has that situation. I admire her for her efforts.

At other churches, the pianist may serve the role as pianist only. (That’s my role)

Whether you’re the main music person or just filling the role as church pianist…the following tips will hopefully encourage and direct you as you serve in the music ministry.

The following ideas have personally helped me in my way of thinking towards serving in the music ministry.

1. I’m a servant serving the Lord.

2. Not to think of myself above others; no comparison. Every church member is of equal importance to God.

3. Love my church family

The following are natural outcomes of point #3

4. Support and encourage those in the music ministry. Example: “Your song was a blessing.” or “Thanks for being willing to sing.”

5. Pray for those in the music ministry

6. Always communicate in love

7. Use constructive guidance as needed (This can occur only after building a trusting relationship.) This applies if the person or persons you’re accompanying are seeking helpful pointers.

Please understand…these are just a few ideas that remind me of my role as church pianist.

Each church is different as far as their needs. Just ask God for wisdom as you seek to serve Him where He has placed you.

Jenifer Cook has been a church pianist for the past 35 years. She has published arrangements through Soundforth and composes for her own piano students.

Her website is a help ministry to church pianists around the world; offering numerous improvising tips and free piano arrangements.

Part two of this article will include some of the following issues:

The relationship between the song leader and church pianist. (Who’s in charge?)

Job description of the church pianist (What’s expected of me?)

Developing the Special Music Program (How the church pianist can help grow the special music program)

Article Source: http://thechurchpianist.com/church-pianist/what-is-the-role-of-church-pianist-part-two/

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It was during the Medieval Period that the first church dramas began to appear. As Richard Courtney, famous drama teacher and theatre scholar, pointed out that the Mass itself of course has the seeds of drama – chanted dialogue and a theme of action, but not the essential quality of impersonation.

Impersonation began with the trope sung during the night before Easter. A trope was an extra chant written to accompany church music on special occasions. In the Mass, the trope had been sung by the choir. When repositioned, it became a separate little scene performed at Matins on Easter morning; much like a tiny opera, three people impersonated the Marys and one the angel before an improvised sepulchre.

Eventually, the small-scale tropes evolved into more complex dramatizations of Easter and Christmas stories. The Bible stories were enacted in the church by priests. As these plays achieved a wide popularity, the dramas began to be written in the vernacular and performed outside the church proper, although still on the church grounds.

Through this linguistic and spacial separation, the church dramas became more secularized. Eventually, the audio dramas were produced and performed by laypersons, guild members who would enact cycles of miracle plays based upon biblical stores and the lives of the saints. These plays included many secular and temporal elements of farce and mime that appealed to the medieval audiences.

Given this story, it is no wonder that the Catholic (and other sects) Church continues to be a most natural environment for drama and theatre. During the 1950s and the 1960s, at the beginnings of the Off-Broadway avant-grade movement in New York City, several churches provided homes for gifted theatre artists.

Listen to free audio books and audio books.

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Exposed:

Even though a praise band is a group, there is usually only one person playing each instrument and maybe a couple a singers, but even the singers usually are singing different harmonies. So, everyone in the band is exposed. There is no cover from other musicians. If the base player hits the wrong notes, then it’s very obvious. If the drummer can’t keep a steady beat, not only is that usually apparent to the congregation, but it usually makes the rest of the band mess up as well. So, unlike the choirs of the past, with a band, it’s not so easy to not care if someone can’t sing or play well.

The Big Problem:

Church people are “nice”. That’s not necessarily true for everyone, but as a whole, church people tend to not want to hurt people’s feelings. My question is whether that’s really being “nice”. Personally, I don’t think allowing someone to humiliate themselves in public is very nice. I have a theory that most of the people who try out for American Idol who stink try out because people at their church told them they were good and should try out. Perhaps in some cases congregation members who have not music training may not realize how bad a performance is because they don’t have the trained, critical ear of a musician, but I think in most cases, the people are just trying to be “nice”. Maybe what they are really doing is trying to avoid their own discomfort, but you can be honest about a person’s lack of musical ability without being mean.

The Other Big Problem:

Musicians are arrogant, stubborn, and opinionated. Just kidding…or am I? A while back we had an issue with some of the musicians in my church. I was talking to a friend about it and he said they have an expression in their church, “They’re an artist.” It’s not an insult, but more of an understanding. True artists tend to be passionate and very personal about their art. So, they can come off seeming arrogant, stubborn, or very opinionated. Whatever you want to call it, the passion can cause for some difficult issues. The truth is that most church music programs (and drama programs) have issues because of this, more so than other ministries of the church.

Two Perspectives:

So, let’s say that as a band leader, you have overcome the need to be “nice” and have realized you can actually tell someone when they aren’t very good. When do you do that? Sure, if you have a congregation of 1000, you probably have several good musicians for every instrument. You could probably even hold auditions. However, if you have a congregation of 100, your options are limited. You may not have people experienced with certain instruments or musical accessories. From my experience, your decision of who can be in the band (based on skill) depends on your perspective of what the band is for:

1. One perspective is that the band is leading worship and with the congregation in mind, the goal is to have as much quality to the music as possible.

2. Another perspective is that the band plays the role of an outreach or a way for members to be involved in the church. The goal is to include people.

These are two opposing perspectives. With the first perspective, if someone isn’t very good, they will not be allowed to play in the band. The band may even do without some instruments or singers in order to make sure that all those involved are skilled and the music is good. It’s an exclusive group. With the second perspective, being an inclusive group is the goal, so people who have little musical skill or experience are allowed to join the group. The music quality may suffer (and probably will), but people get to be involved and feel more a part of the church.

What’s The Right Approach?

So, which of the two approaches to the church music is best? I don’t know. I think its decision you have to make for your church. Church’s with smaller congregations may not have much choice if they want to have a band. They may just have to take what they can get. So, your congregation situation may determine which approach you take. Whichever approach you decide on, there are two things you should not do.

1. Don’t let your decision to have your band be more inclusive be because you just don’t have the spine to tell someone they aren’t very good. Make the decision before you start the band and be honest with each other.

2. Don’t let arrogance creep into the group. There’s no room for the “I’m not playing if they are in the group” attitudes. You can be a skilled musician and be humble.

There is also one thing you should do. Always remember that this is a service for the Lord and keep a servant’s heart. Servant doesn’t mean pushover or spineless, but it is a humble attitude and a desire to provide the best you can do.

Francis Beaudry is currently the conductor of two orchestras. He is a writer and arranger and has published musical works for choir and orchestra. In addition he is the president of TheMaxZone.net, an online musical accessories superstore offering instrument accessories, musical accessories, and more.

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Logic tells us that the word “has departed” denotes simply that there used to be glory, and now there isn’t. The term originated in reference to what many refer to as “the Shekinah (SHE’KEE’NA) glory” which is the manifestation of the glory of God in the temple at Jerusalem – the place where God resided. This “Shekinah” was displayed in several ways in Scripture including the burning bush, the bright light when the angels announced the birth of Christ to the shepherds, etc. The Shekinah was only present when the Ark of the Covenant was in its proper place, in the Holy of Holies. Historically, whenever the Ark was NOT in the temple, the temple was said to be “Ichabod.” The real substance and meaning of the temple was missing. It was merely an empty habitation at that point because the essence – the glory of God – was gone.

There are many references to the “glory of God” throughout Scripture. It is the direct reminder of God’s power and interaction with His people. The word “glory” is one that is often misunderstood. Though most would agree that the word implies praise, honor and fame, a more complete definition includes the words splendor, magnificence and radiance. Now, apply that definition to any verse regarding “the glory of God” and it changes its meaning in a powerful way.

Today, in this Age of Grace, the glory of God is manifest through the lives of those truly serving Him. Notice: through the LIVES – NOT the buildings. Our lives are intended to form the visible manifestation of God’s splendor, magnificence and radiance. Until we renew our minds to this truth, it ain’t happenin’. When it does, through the ministry of a relative few, we see them as being “more holy” or “more spiritual” than the rest of us, as if they set the standard to which the rest of us can aspire. That’s unfortunate for, if we are to compare ourselves with anyone, that person should be Jesus. He alone is our standard.

The Scripture refers to us, the followers of Jesus, as “living sacrifices.” This is commonly referred to as an oxymoron (a la “Jumbo Shrimp”, “Found Missing”, “Microsoft Works”) for a sacrifice is dead and, therefore, cannot possibly be living. Notice, however, that the phrase is not “tithing sacrifices”, “preaching sacrifices” or any other kind of sacrifices. No, the term is LIVING sacrifices, denoting life, day to day, moment to moment sacrificial living. In other words, doing everything as unto the Lord God (1 Cor 10:31).

Do you get it? We, the Church – NOT the edifices, but the PEOPLE – are supposed to be the containers of the glory of God. Better yet, the DISPENSERS of the glory of God. Jesus called us “the light of the world” – NOT our buildings and certainly Not our manmade denominations. Too often, even Protestants have the attitude that God is in the church house. Friends, God doesn’t show up anywhere, including church services, until you get there. You bring Him WITH you! Too often, the gatherings taking place within these structures are replete with unscriptural ritualism demonstrated nowhere in Scripture, or they’ve become mere social clubs that rarely reveal lives that have been radically changed. The bodies in there, going through endless motions, and droning worship songs, too often offer lip service with hearts far from God. The glory has gone. The individuals, and the organization which they comprise, have become Ichabod.

So, is your church an Ichabod or is it the house of God?

It’s NEITHER! God doesn’t live in ANY building anywhere on the face of the earth. He lives within YOU. In fact YOU are the Ark of the New Covenant, carrying with you the very presence and power of God EVERYWHERE you go. Problem? The vast majority of those who call themselves “Christian” (literally meaning, “a little Christ”) don’t believe that. Not only that, most of us have never been taught that. Instead, we’ve been conditioned to believe God is “out there” somewhere. We hear songs like “God is watching us” by Bette Midler and “What if God were one of us?” and we base our theology on this stuff rather than the Word of God.

So, is God really within you, desiring to live THROUGH you or isn’t He? Does the same Spirit that raised Jesus from the dead live within you or is God a liar? Will His disciples REALLY do greater things than He did or was Jesus out of His mind? Does the verse “In Him we live and move and have our being” apply to anyone you know? The truth is, God DOES live within us and He does some pretty incredible things through those who have decided to believe that every Word of Scripture is absolute truth.

Major problem? As I see it, there are three: (A) Preachers aren’t preaching this, (B) Christians are so biblically illiterate, we have no idea what’s Scripture and what’s from Poor Richard’s Almanac and (C) We are so busy doing things the prescribed way that we are oblivious to what the Lord is wanting His Church to do next..

All this can change but it starts with a radical, life altering decision, one that every individual Believer has to make on his or her own. Don’t wait for your pastor or priest to make the choice. Neither should you wait for your denomination to get an edict from headquarters. YOU alone must make the choice to raise your head up from among the crowd. When the lemmings are headed west, go ahead and head east. But be warned: one man’s obedience is another man’s rebellion. The traditional Church is notorious for attacking anyone who follows the cloud. The things we see as commonplace were once considered radical. From church music to altar calls, numerous aspects of church have suffered from “friendly fire” and still do.

It’s Ok, you see, because this is all about you and your personal obedience to what the Father is saying to you, Spirit-to-spirit. Far too often, we have settled for Religion when it’s intimate RELATIONSHIP that God desires from us. How can we get any more intimate than to allow the Creator of all things to live THROUGH us in an effort to lead people from darkness into his glorious light?

ABOUT THE AUTHOR

Michael’s mission is to bring Discipleship and Encouragement to the Body of Christ. Since 1999, he has broadcast nearly six hundred inspirational articles and a dozen booklets on subjects that will interest the thinking Christian, all designed to accelerate the process of spiritual development in God’s people.

He is the founder of t.e.a.m. ministries (team1min@aol.com). An Author, Pastoral Counselor and Teacher, his eMail broadcasts, known as “Your Town for Jesus” are reaching millions around the globe WEEKLY. Write team1min@aol.com if you’d like to SUBSCRIBE.

A licensed/ordained minister, a Certified Workplace Chaplain, and a Professional Member of NIBIC, he has ministered in Methodist, Pentecostal, Charismatic, Baptist, Disciples of Christ, College and Cowboy churches. He is also a Speaker on the Christian Speaker Network and may be available to speak to your church or Christian group

Article Source: http://EzineArticles.com/?expert=Michael_Tummillo

If you want to have the best odds for finding the right musicians for your church services, follow the guidelines I am sharing here.

1) When recruiting, make all your requirements clear.

Church music in this day and age ranges from the contemporary styles (which require the musicians to fill-in-the blanks) to the traditional styles (which require the musicians to be able to read notation). Don’t assume that the people in your church know or understand what you need. Always spell out your requirements.

This also inspires confidence. People prefer to work with leaders who know clearly what they want and can communicate it to others. They are more likely to respond to your recruitment efforts if you take the effort to spell out what are the expectations you have for the role.

2) Ask your musicians who they’d like to invite to serve in your church.

Musicians tend to feel more comfortable talking with other musicians. Think about it, you may have the right person visiting your church or quietly warming a pew in your church. This person will usually make themselves known to the ‘official’ church musicians first before approaching the other people in the church leadership.

So make sure the musicians already working with you know that you are on the look-out for more help, so they can help you look out as well as recommend people they think are suitable.

3) Have a back-up plan.

What will you do if you can’t find the right person or the right people? If your church uses a contemporary style of music for worship, you may be able to train up adequate musicians in the span of 2-3 months. If you practice a more traditional style you may want to look for parents with kids taking classical music lessons. They require a lot less work in terms of music training (most of it is already done for you).

The most important thing is to NOT be desperate. If you are desperate, you’ll be tempted to recruit people without the correct skill set or the right attitude. They can be a headache to deal with at that point. No one benefits from this situation at all.

Conclusion: In the end, recruiting a church musician is very much a sales job. You are trying to sell an opportunity to serve God and grow in maturity by actively engaging with God’s people, and you want the right people to buy that opportunity with their talents and time. Always ask yourself this question: if I was a property agent trying to sell a house, would I be able to sell a house with the quality of effort I am putting into recruiting a church musician?

If the answer is no, then don’t be surprised if you don’t get the kind of people you want to serve God with. Following the guidelines in this article will give you the best odds of finding suitable people, people who will serve God with you, and be a blessing to his people. And that’s what we all want, right?

Junjie is a worship leader, musician and trainer with more than 14 years of experience in a wide range of church settings. To find out more about his training and to sign up for his free e-course on worship ministry, go to http://www.invisibleworshipmusician.com

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