Because of the role music plays in the church service, the offertory must be selected with care. Think about where the solo will occur in the order of worship. Are you following a lively choral anthem that will lead right into the congregational worship? Will the offering follow a generally somber prayer for the needs of the congregants? If you find yourself in a church without a strong liturgical tradition as I do, the positioning of the offertory may be altered weekly. There are few scenarios worse than a grandiose arrangement that follows a quiet time of meditation. Without advance thought and planning, you can sometimes find yourself in an awkward situation.

Additionally, it is important to think about your congregation. An uber-contemporary church may not respond to a classical setting of your favorite hymn. In contrast, the latest praise and worship chorus is probably not the best option for a high liturgical service. Most of us probably find ourselves somewhere in the middle of these two extremes – in what is commonly referred to as a blended service. In these settings, the choices become more difficult and more exciting as well. How often have you tried to find a great arrangement that blends a contemporary chorus with a traditional hymn without giving the impression that one of the pieces is more important or, worse still, more holy? There are a few arrangers today who are doing just these type of settings, but they are few and far between, generally demanding extreme technical facility as well.

More often, I find myself looking for arrangements of hymns that are approached with harmonic and rhythmic freshness. My current congregation is a multi-generational group with eclectic tastes in music. I have quickly accepted the fact that I will never please everyone present with my selections. Because I have so many preferences in my congregation, I get to explore some unusual settings. Some of our favorites are jazz settings of hymns such as Leaning on the Everlasting Arms and a complex harmonic treatment of Great is Thy Faithfulness. I didn’t begin using these unusual arrangements immediately though; just as with all other areas of ministry, as the congregation develops trust in you as a music minister (for that is what every church pianist should strive to be), they will also extend that trust to your musical selectivity.

Here are a few closing thoughts on making your weekly offertory a highlight of the weekly service for those that you serve.

Select pieces weekly in an attitude of prayer. All too often we forget that our solo will be a part of the worship service. We can simply choose to provide pretty background music while the important activity of collecting the congregation’s cash is performed. I think the better decision – and the one for which we strive – is to play music that is anointed by the Holy Spirit to aid those who are hearing as they worship in the act of giving.

Always have a few selections that you can fall back on. We’ve all been in the situation where the week got too hectic and our preparation time suffered. Perhaps the scheduled soloist became ill at the last minute, making the planned offertory less than desirable. Having a few selections in your back pocket gives you some flexibility whenever the need arises to make a last minute substitution. Use them sparingly though or they will become part of the normal rotation and you’ll find yourself in need of some new fall-backs.

Don’t sacrifice beauty for showmanship. Have you ever listened to a church pianist play a solo only to later ask “What WAS that song?” The arpeggios are beautiful and the tricky scale passages are impressive, but if they get in the way of the music’s message, we’re taking the focus off of the One we are to worship and shining the spotlight directly on ourselves. (Ouch…is anyone else feeling the sting of those toes that were just stepped on?)

NEVER attempt to play beyond your technical abilities! As a musician, I am all for stretching myself and continuously developing my technique. The worship service is not a practice hall, though. Just as bad as shining the spotlight on how beautifully we play is presenting a glaring example of an ill-prepared solo as part of a worship service. I am not in competition with the pianist at the church across the street, so I don’t have to attempt to play as beautifully as she does. I just have to bring my musical offering to the Heavenly Father each week as a loving sacrifice that brings Him honor and my worship. When we try out that new arrangement that is just a bit too difficult (or – Heaven forbid – completely beyond our skills) we risk interrupting the flow of the service and distracting the congregation from their worship.

Always play for the Audience of One. This is the last point on my list because I believe it is the most important one. All that I am as a Christian, a musician, and a person is because of Jesus. It is a wonderful feeling to have an audience respond to beautiful playing with appreciative applause – and, let me add, there is nothing wrong with receiving these accolades! Scripture teaches us to give honor to whom it is due. More than anything though, I want the applause of Heaven that comes as I play for the audience of One – the One who gave His all that I might have life. He is the source of the music and our constant goal should be that our music bring attention only to His grace, mercy, and greatness.

Do I get tired of trying to find a new piece each week? Of course! Like everyone else, I have a core set of arrangements that I rotate through. But the blessing of sharing my gift with God’s people outweighs the long rehearsals. Occasionally, God opens doors because of our obedience as well. A few years ago, the congregation provided an opportunity to professionally record some of my favorite arrangements. In July, I will have the chance to sit down in the studio again and record two new CDs – one for Christmas, the other songs of praise and thanks.

Happy playing!
Kennith

A graduate of the University of Memphis (M.M. and D.M.A.) and Pepperdine University (B.A.), Dr. Kennith Freeman is an active pianist. A native Arkansan, Freeman is currently a member of two chamber ensembles: the Cox-Freeman Duo and the 3-D Trio. In addition to his performing schedule, Dr. Freeman is a member of the music faculty at Mid-South Community College in West Memphis and serve as Director of Music and Children’s Ministries at Abundant Grace Ministries in Collierville, Tennessee. Follow his thoughts about all aspects of collaborative piano and church music at http://freemanpiano.blogspot.com/

Article Source: http://EzineArticles.com/?expert=Kennith_Freeman

I wanted to give you a little something that I think may help you as a choir director or worship pastor/worship leader. This is a very simple concept that I myself have used, and it has changed my life. This simple idea can revolutionize your worship services and it can change your life as well! I’m sure by now you’re thinking, “Joe, what single piece of free information can you possibly offer to us that can both revolutionize our worship services and change our lives?!?” Well to that I say, “You’ll be surprise!” You see, when I reveal the details of this “thing” that will change everything, your initial reaction may be, “We already do that! We don’t need help in this area, and this article is clearly not for us.” Well, just give me a minute; If you’ll really get honest with yourself and think back into the past when things may have gone wrong with your church choir music, or maybe just didn’t go as well as you had hoped for, you’ll see what I mean. Ok, enough with the waiting game, what am I talking about? What is this thing that is going to change everything for me?

Preparation.

I have learned to live by what I call the 5 P’s: Proper Preparation Prevents Poor Performance.

With reluctance, I had to admit that I was wrong in the way that I did things for the first few months in the ministry. You see, we all too often get all caught up in the job! What we forget is that this is not just our job. This is our honor, to serve the risen Savior, and deliver our very best praise! So let us begin to actually take the time to do the things that they don’t teach you how to do! Let’s spend more time planning, and less time talking, and almost instantly, an amazing thing may happen. I have seen our worship services get so much better! There is no more dead space, no more wondering what was going to happen next! YOU’RE the choir director, or the choir member, or the worship leader! You need to know what is going to happen next, because guess what?!? Nobody else does! Be prepared! Be ready! How do you do this?

1. Know what songs you are singing as congregationals no later than the Tuesday before the upcoming Sunday. (This one is a given, if you don’t already do this, shame on you.)

2. Sketch out on a yellow notepad what you plan to say to welcome your congregation to God’s house, what you’ll say as an introduction to each song, and how and when you’ll lead the church in prayer.

3. Know how long each song is going to be. Everyone deserves an ample amount of time to do his or her individual parts in the worship service. Don’t cut your Pastor or your special music short. This is disrespectful. They probably won’t say it, but I bet they’re thinking, “Am I not worth a little more preparation and planning so that I have time to do what God has lead me to do?”

4. Leave a little wiggle room. You don’t know what may happen to cause the service to be slightly off schedule. You never know how the Holy Spirit will guide you or someone else during the service. Allot a few extra minutes in case something changes.

All that to say, when you become a better planner, and you learn to prepare more thoroughly, you may find that the leading of the Holy Spirit is a little easier to find on those Sunday mornings. Why? Because God is pleased; you have been a good steward of the time He has given you.

I hope this helps, and always, pray every decision through.

Joe Cox is Minister of Music, Concert Pianist, and internet marketer.

http://www.churchchoirmusicnow.com/

http://www.churchchoirmusicnow.com/church-choir-music/proper-preparation-for-church-choir-music

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Several types of Chorale Church Music exist. Specific notice is deserved to the ancient-Roman songs of the VII-VIII centuries. Information from the Lorana Institute and Greek research into choral traditions of L. Anhelopulocs show a united modal, rhythmic and ornamental basis. These actual chants were placed into the foundation of Gregorian chorals until the VIII-IX centuries until the systematic Gregorian eight-toned foundational singing arose. In the East this process ceased a century earlier (Eight Tones of St. John Damascene), in time the Gregorian chorale became the basis of all European professional music and its rightful name should be “The Musical Teacher of Europe”.

In the “Liturgy of Peace” the Greek Divine Liturgy of St. John Chrysostom in the Church-Slavonic language is “dressed “by the author in the melodies of ancient Gregorian chorals with minimal adaptation of harmonious methods. That way, and through the one thousand year old alienation of Church culture the “Liturgy of Peace” creates a musical synthesis of both cultures: firstly, and again the meeting of western and eastern liturgical traditions. After more than three centuries of domination of eastern Slavonic Divine Liturgies in its concert style of music, the “Liturgy of Peace” is received and accepted as something un-expected. Its uplifting “awakening -angelic” and lulling intonations carry peace and harmony, giving birth to passion, as though uniting us with the Kingdom of Heaven. That is why it is no coincidence that it is titled: “Litany of Peace”, “Angelic”. “Liturgy of Peace” is the spiritual fruit of many years of reflection and the seekings of Archbishop Ionafan as to the way to Universal Peace, which is so necessary today in our uncertain lives.

The author dedicates the “Liturgy of Peace” to the eternal memory of his spiritual guardian Metropolitan Nikodim (Rotov) the eminent religious champion and upholder of Christian unity and Peace.

Archbishop Ionafan (Anatolij Ivanovych Yeletskyh) was born in Russia on the 30th January 1949 in the Voronezkij oblast (now Bilhorodska). In 1976 he graduated from the Leningrad Theological Academy (now St. Petersburg) attaining the learned level of Candidate of Theological Learning. Simultaneously, he studied choral directorship at the Theological Academy under the tutorage and in the classes of N.D.Uspenskij, a famous music expert and doctor of Theology and liturgical historian. For ten years Archbishop Ionafan lectured at the Theological Academy and within the department of Choral Directorship where he directed the student choir in the seminary church. In 1986 and prior to 1,000 years of Christianity of Kyivan Rus, and under the directorship of the then Hieromonk Ionafan (Yeletskyh) the student choir of the Leningrad In 1988 Archbishop Ionafan – the then Vicar of the Kyiv Pechersk monastery of the Caves in its God-serving rites revived the traditions of monastic singing.

The musical activity of Archbishop lonafan supplements the multifarious foundational recovery, restoration and deciphering of ancient-Ukrainian church melodies of the XVI century, the epoch of its ancient methods being the priceless spiritual inheritance of a great Slavonic culture. The Lyturgy was first performed and  recorded by Kyiv Chamber Choir.

About the Author

Origen Music

As an organ lover and someone who enjoys singing, I do love Church Music, You know hymns and carols. It is very easy to shut your eyes and imagine singing the hymn as you play (And yes, I often play with my eyes shut. I will cover that in the near future).

The organ with its wealth of Flutes or Tibias, is the one instrument that can add much variance to the melodies of the music of the church. Use of Reverb, Chorus/ Chorale/ Lesle Speaker/ Tremelo, with fast or slow speeds can bring life to the music as you play. Sustain, and a really deep Bass Pedal sound also fills it out nicely.

The dynamics of expression pedal use can change a quite opening to a crescendo by the finish or lower the volume of a verse for example in, Oh Little Town Of Bethlehem, where we sing “How silently, how silently, the wondrous gift is given”.

If you need to add a little bit of, Church Singers, Folk Singer  or Gospel, style to it, then it is so much easier on your modern compact instrument, than trying to do that from the original huge, Church Pipe organ.

My own favourite hymn, is  “The Lord’s My Shepherd.” The current video is a straight Camera Recording, and not directly through the computer, but I am sure that you will make allowances for the lower sound quality as The Canon Video Camera struggles with the 300 watt Multi Speakered Technics GX5 Organ.

Do not be afraid of playing church music in your own way, as that is how you develop style. Never forget that “Mine Eyes Have Seen The Glory” is also “John Browns Body”, and I”I Vow To Thee My Country” is also “Jupiter” from the “Planet Suite” by Gustav Holtz.

More articles soon -

Bye for now,
Robin

Robin Melling loves to help people and by using his knowledge of family life, teaching, design, sales, writing, entertainment, music, disaster management and voluntary work. For his personal music performances and further help, go to http://www.youtube.com/user/2009RobinC where he also welcomes requests for pieces of music you would like him to play.

Article Source: http://EzineArticles.com/?expert=Robin_Melling

It was during the Medieval Period that the first church dramas began to appear. As Richard Courtney, famous drama teacher and theatre scholar, pointed out that the Mass itself of course has the seeds of drama – chanted dialogue and a theme of action, but not the essential quality of impersonation.

Impersonation began with the trope sung during the night before Easter. A trope was an extra chant written to accompany church music on special occasions. In the Mass, the trope had been sung by the choir. When repositioned, it became a separate little scene performed at Matins on Easter morning; much like a tiny opera, three people impersonated the Marys and one the angel before an improvised sepulchre.

Eventually, the small-scale tropes evolved into more complex dramatizations of Easter and Christmas stories. The Bible stories were enacted in the church by priests. As these plays achieved a wide popularity, the dramas began to be written in the vernacular and performed outside the church proper, although still on the church grounds.

Through this linguistic and spacial separation, the church dramas became more secularized. Eventually, the audio dramas were produced and performed by laypersons, guild members who would enact cycles of miracle plays based upon biblical stores and the lives of the saints. These plays included many secular and temporal elements of farce and mime that appealed to the medieval audiences.

Given this story, it is no wonder that the Catholic (and other sects) Church continues to be a most natural environment for drama and theatre. During the 1950s and the 1960s, at the beginnings of the Off-Broadway avant-grade movement in New York City, several churches provided homes for gifted theatre artists.

Listen to free audio books and audio books.

Article Source: http://EzineArticles.com/?expert=Johnn_Foy

Exposed:

Even though a praise band is a group, there is usually only one person playing each instrument and maybe a couple a singers, but even the singers usually are singing different harmonies. So, everyone in the band is exposed. There is no cover from other musicians. If the base player hits the wrong notes, then it’s very obvious. If the drummer can’t keep a steady beat, not only is that usually apparent to the congregation, but it usually makes the rest of the band mess up as well. So, unlike the choirs of the past, with a band, it’s not so easy to not care if someone can’t sing or play well.

The Big Problem:

Church people are “nice”. That’s not necessarily true for everyone, but as a whole, church people tend to not want to hurt people’s feelings. My question is whether that’s really being “nice”. Personally, I don’t think allowing someone to humiliate themselves in public is very nice. I have a theory that most of the people who try out for American Idol who stink try out because people at their church told them they were good and should try out. Perhaps in some cases congregation members who have not music training may not realize how bad a performance is because they don’t have the trained, critical ear of a musician, but I think in most cases, the people are just trying to be “nice”. Maybe what they are really doing is trying to avoid their own discomfort, but you can be honest about a person’s lack of musical ability without being mean.

The Other Big Problem:

Musicians are arrogant, stubborn, and opinionated. Just kidding…or am I? A while back we had an issue with some of the musicians in my church. I was talking to a friend about it and he said they have an expression in their church, “They’re an artist.” It’s not an insult, but more of an understanding. True artists tend to be passionate and very personal about their art. So, they can come off seeming arrogant, stubborn, or very opinionated. Whatever you want to call it, the passion can cause for some difficult issues. The truth is that most church music programs (and drama programs) have issues because of this, more so than other ministries of the church.

Two Perspectives:

So, let’s say that as a band leader, you have overcome the need to be “nice” and have realized you can actually tell someone when they aren’t very good. When do you do that? Sure, if you have a congregation of 1000, you probably have several good musicians for every instrument. You could probably even hold auditions. However, if you have a congregation of 100, your options are limited. You may not have people experienced with certain instruments or musical accessories. From my experience, your decision of who can be in the band (based on skill) depends on your perspective of what the band is for:

1. One perspective is that the band is leading worship and with the congregation in mind, the goal is to have as much quality to the music as possible.

2. Another perspective is that the band plays the role of an outreach or a way for members to be involved in the church. The goal is to include people.

These are two opposing perspectives. With the first perspective, if someone isn’t very good, they will not be allowed to play in the band. The band may even do without some instruments or singers in order to make sure that all those involved are skilled and the music is good. It’s an exclusive group. With the second perspective, being an inclusive group is the goal, so people who have little musical skill or experience are allowed to join the group. The music quality may suffer (and probably will), but people get to be involved and feel more a part of the church.

What’s The Right Approach?

So, which of the two approaches to the church music is best? I don’t know. I think its decision you have to make for your church. Church’s with smaller congregations may not have much choice if they want to have a band. They may just have to take what they can get. So, your congregation situation may determine which approach you take. Whichever approach you decide on, there are two things you should not do.

1. Don’t let your decision to have your band be more inclusive be because you just don’t have the spine to tell someone they aren’t very good. Make the decision before you start the band and be honest with each other.

2. Don’t let arrogance creep into the group. There’s no room for the “I’m not playing if they are in the group” attitudes. You can be a skilled musician and be humble.

There is also one thing you should do. Always remember that this is a service for the Lord and keep a servant’s heart. Servant doesn’t mean pushover or spineless, but it is a humble attitude and a desire to provide the best you can do.

Francis Beaudry is currently the conductor of two orchestras. He is a writer and arranger and has published musical works for choir and orchestra. In addition he is the president of TheMaxZone.net, an online musical accessories superstore offering instrument accessories, musical accessories, and more.

Article Source: http://EzineArticles.com/?expert=Francis_Beaudry

Logic tells us that the word “has departed” denotes simply that there used to be glory, and now there isn’t. The term originated in reference to what many refer to as “the Shekinah (SHE’KEE’NA) glory” which is the manifestation of the glory of God in the temple at Jerusalem – the place where God resided. This “Shekinah” was displayed in several ways in Scripture including the burning bush, the bright light when the angels announced the birth of Christ to the shepherds, etc. The Shekinah was only present when the Ark of the Covenant was in its proper place, in the Holy of Holies. Historically, whenever the Ark was NOT in the temple, the temple was said to be “Ichabod.” The real substance and meaning of the temple was missing. It was merely an empty habitation at that point because the essence – the glory of God – was gone.

There are many references to the “glory of God” throughout Scripture. It is the direct reminder of God’s power and interaction with His people. The word “glory” is one that is often misunderstood. Though most would agree that the word implies praise, honor and fame, a more complete definition includes the words splendor, magnificence and radiance. Now, apply that definition to any verse regarding “the glory of God” and it changes its meaning in a powerful way.

Today, in this Age of Grace, the glory of God is manifest through the lives of those truly serving Him. Notice: through the LIVES – NOT the buildings. Our lives are intended to form the visible manifestation of God’s splendor, magnificence and radiance. Until we renew our minds to this truth, it ain’t happenin’. When it does, through the ministry of a relative few, we see them as being “more holy” or “more spiritual” than the rest of us, as if they set the standard to which the rest of us can aspire. That’s unfortunate for, if we are to compare ourselves with anyone, that person should be Jesus. He alone is our standard.

The Scripture refers to us, the followers of Jesus, as “living sacrifices.” This is commonly referred to as an oxymoron (a la “Jumbo Shrimp”, “Found Missing”, “Microsoft Works”) for a sacrifice is dead and, therefore, cannot possibly be living. Notice, however, that the phrase is not “tithing sacrifices”, “preaching sacrifices” or any other kind of sacrifices. No, the term is LIVING sacrifices, denoting life, day to day, moment to moment sacrificial living. In other words, doing everything as unto the Lord God (1 Cor 10:31).

Do you get it? We, the Church – NOT the edifices, but the PEOPLE – are supposed to be the containers of the glory of God. Better yet, the DISPENSERS of the glory of God. Jesus called us “the light of the world” – NOT our buildings and certainly Not our manmade denominations. Too often, even Protestants have the attitude that God is in the church house. Friends, God doesn’t show up anywhere, including church services, until you get there. You bring Him WITH you! Too often, the gatherings taking place within these structures are replete with unscriptural ritualism demonstrated nowhere in Scripture, or they’ve become mere social clubs that rarely reveal lives that have been radically changed. The bodies in there, going through endless motions, and droning worship songs, too often offer lip service with hearts far from God. The glory has gone. The individuals, and the organization which they comprise, have become Ichabod.

So, is your church an Ichabod or is it the house of God?

It’s NEITHER! God doesn’t live in ANY building anywhere on the face of the earth. He lives within YOU. In fact YOU are the Ark of the New Covenant, carrying with you the very presence and power of God EVERYWHERE you go. Problem? The vast majority of those who call themselves “Christian” (literally meaning, “a little Christ”) don’t believe that. Not only that, most of us have never been taught that. Instead, we’ve been conditioned to believe God is “out there” somewhere. We hear songs like “God is watching us” by Bette Midler and “What if God were one of us?” and we base our theology on this stuff rather than the Word of God.

So, is God really within you, desiring to live THROUGH you or isn’t He? Does the same Spirit that raised Jesus from the dead live within you or is God a liar? Will His disciples REALLY do greater things than He did or was Jesus out of His mind? Does the verse “In Him we live and move and have our being” apply to anyone you know? The truth is, God DOES live within us and He does some pretty incredible things through those who have decided to believe that every Word of Scripture is absolute truth.

Major problem? As I see it, there are three: (A) Preachers aren’t preaching this, (B) Christians are so biblically illiterate, we have no idea what’s Scripture and what’s from Poor Richard’s Almanac and (C) We are so busy doing things the prescribed way that we are oblivious to what the Lord is wanting His Church to do next..

All this can change but it starts with a radical, life altering decision, one that every individual Believer has to make on his or her own. Don’t wait for your pastor or priest to make the choice. Neither should you wait for your denomination to get an edict from headquarters. YOU alone must make the choice to raise your head up from among the crowd. When the lemmings are headed west, go ahead and head east. But be warned: one man’s obedience is another man’s rebellion. The traditional Church is notorious for attacking anyone who follows the cloud. The things we see as commonplace were once considered radical. From church music to altar calls, numerous aspects of church have suffered from “friendly fire” and still do.

It’s Ok, you see, because this is all about you and your personal obedience to what the Father is saying to you, Spirit-to-spirit. Far too often, we have settled for Religion when it’s intimate RELATIONSHIP that God desires from us. How can we get any more intimate than to allow the Creator of all things to live THROUGH us in an effort to lead people from darkness into his glorious light?

ABOUT THE AUTHOR

Michael’s mission is to bring Discipleship and Encouragement to the Body of Christ. Since 1999, he has broadcast nearly six hundred inspirational articles and a dozen booklets on subjects that will interest the thinking Christian, all designed to accelerate the process of spiritual development in God’s people.

He is the founder of t.e.a.m. ministries (team1min@aol.com). An Author, Pastoral Counselor and Teacher, his eMail broadcasts, known as “Your Town for Jesus” are reaching millions around the globe WEEKLY. Write team1min@aol.com if you’d like to SUBSCRIBE.

A licensed/ordained minister, a Certified Workplace Chaplain, and a Professional Member of NIBIC, he has ministered in Methodist, Pentecostal, Charismatic, Baptist, Disciples of Christ, College and Cowboy churches. He is also a Speaker on the Christian Speaker Network and may be available to speak to your church or Christian group

Article Source: http://EzineArticles.com/?expert=Michael_Tummillo

This means that instead of relying solely on the music in front of your face you have beneath your skilled fingers and in your head fill in notes, other chords, and different chord progressions to bring about the sound that will portray the message of the song you are playing.

To do this you need to be most aware of certain parts of music theory and how it all fits together in the music you play. Yes there are some that play  skillfully by ear without knowing how to read a note of music but there are many more of us who need to read our notes, understand what we are doing with them and have a few lessons under our belt to be better pianists.

If you don’t know most hymnals are created for singers not pianists. The notes guide the different singers as to how high or low their voice is to be. This comes across as very dull and mundane when translated on the piano.

Enter Greg Howlett’s Inspirational Improvisation: A Nine Step Approach to Becoming a Versatile Church Pianist DVD Course.

A detailed straightforward nine lesson DVD program designed most particularly to help church pianists improvise hymns and Praise and Worship songs at the piano.

The lesson program includes

* 5 DVDs each containing one to two piano improvisation lessons.
* 1 Lesson Study Guide to follow along and takes notes of what is happening on your DVD player.

The best part of these piano lessons is that instead of just showing you how he improvises one song Greg uses nine detailed piano lessons to help you become more proficient at improvising your own songs.

In my years of attempting to improve my own piano playing for church (because we are always learning) this is an omission that I found increasingly frustrating and something that l was always looking for. The concrete steps and theory rules that guided me to work with those hymnal songs and change them from that of of the mundane to having more feeling and giving across the message of the song.

These piano lessons are not for beginners. Inspirational Improvisation is listed for intermediate to advanced pianists. You should have a grasp of basic music theory, know all your 12 major scales and be able to read and play both clefs (treble and bass, or F and G) of the grand staff.

Be prepared to spend some working time at the piano. At least 20 to 30 minutes a night. Each lesson should take you about a month to have a mastery of (I’m on week two and three and this is about right).

The improvisation skills you will learn with this DVD program are not limited to one particular style. The knowledge you will learn will allow you to add beautiful meaning and feeling to any song you play.

I’ve been enjoying my lessons for a little less than a month now and I have seen nice improvement in not only my playing but my ability to improvise the music I am playing. Not that I look for this because truly I attempt to blend into the background when playing at church but I have had some very positive comments too.

In my own experience the organized format of each lesson is almost as important and as helpful as the information itself.

In the study guide you get an overview of what you will learn in each lesson, any charts that are needed and your homework assignment.

The introduction of the study guide also repeats the information you will receive on the introduction of the DVD as to how to use this course, how long it will take you, what you will learn and how you will learn.

As a piano playing adult having these very organized and detailed piano lessons is a great bonus.

I have been willing to pay plenty of money for one day church music workshops with less than half of this information.

You can purchase Inspirational Improvisation: A Nine Step Approach to Becoming a Versatile Church Pianist directly from Greg Howlett’s website here

K Quinn has been a church pianist for 15+ years. Continually calling herself a struggling church musician you can visit her website at The Struggling Church Musician for more church musician tools and tips.

Article Source: http://EzineArticles.com/?expert=K_Quinn

If you want to have the best odds for finding the right musicians for your church services, follow the guidelines I am sharing here.

1) When recruiting, make all your requirements clear.

Church music in this day and age ranges from the contemporary styles (which require the musicians to fill-in-the blanks) to the traditional styles (which require the musicians to be able to read notation). Don’t assume that the people in your church know or understand what you need. Always spell out your requirements.

This also inspires confidence. People prefer to work with leaders who know clearly what they want and can communicate it to others. They are more likely to respond to your recruitment efforts if you take the effort to spell out what are the expectations you have for the role.

2) Ask your musicians who they’d like to invite to serve in your church.

Musicians tend to feel more comfortable talking with other musicians. Think about it, you may have the right person visiting your church or quietly warming a pew in your church. This person will usually make themselves known to the ‘official’ church musicians first before approaching the other people in the church leadership.

So make sure the musicians already working with you know that you are on the look-out for more help, so they can help you look out as well as recommend people they think are suitable.

3) Have a back-up plan.

What will you do if you can’t find the right person or the right people? If your church uses a contemporary style of music for worship, you may be able to train up adequate musicians in the span of 2-3 months. If you practice a more traditional style you may want to look for parents with kids taking classical music lessons. They require a lot less work in terms of music training (most of it is already done for you).

The most important thing is to NOT be desperate. If you are desperate, you’ll be tempted to recruit people without the correct skill set or the right attitude. They can be a headache to deal with at that point. No one benefits from this situation at all.

Conclusion: In the end, recruiting a church musician is very much a sales job. You are trying to sell an opportunity to serve God and grow in maturity by actively engaging with God’s people, and you want the right people to buy that opportunity with their talents and time. Always ask yourself this question: if I was a property agent trying to sell a house, would I be able to sell a house with the quality of effort I am putting into recruiting a church musician?

If the answer is no, then don’t be surprised if you don’t get the kind of people you want to serve God with. Following the guidelines in this article will give you the best odds of finding suitable people, people who will serve God with you, and be a blessing to his people. And that’s what we all want, right?

Junjie is a worship leader, musician and trainer with more than 14 years of experience in a wide range of church settings. To find out more about his training and to sign up for his free e-course on worship ministry, go to http://www.invisibleworshipmusician.com

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