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LDS Music Lifts and Edifies

Latter-Day Saints cherish good hymns and music. Many have come to understand the impact that LDS music can have on the mind and the spirit. If it is uplifting and positive, it brings feelings of happiness, contentment and calm. These things are always welcome in the midst of our busy lives. The church hymns are a central part of LDS worship and help put people in the best position to experience the Spirit of the Lord. They are especially useful in helping to control the thoughts that cross our minds. On the other hand, music that is unwholesome or negative can actually encourage thoughts and actions that are not appropriate. This is why church leaders have encouraged members to take great care in the music they choose to listen to.

In For the Strength of Youth, a publication put out by the church for young men and young women, it gives some basic counsel about music in general: “Music is an important and powerful part of life. It can be an influence for good that helps you draw closer to Heavenly Father. However, it can also be used for wicked purposes. Unworthy music may seem harmless, but it can have evil effects on your mind and spirit.” Many have either heard someone say, or have even said themselves, “Well, I don’t listen to the words, I just listen to the beat.” This may seem innocent enough until you consider the very real impact that a song’s rhythm and beat have on us. You don’t have to try very hard to think of scenes in your life where your mood was directly impacted by the tone and timbre of the music playing. LDS music invites the spirit because it is in tune with goodness and light, and is a welcome part of the world’s great musical repertoire.

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The Hymnal and the Death of Pop Music

Music history classes are usually about dead white guys who wrote music over 100 years ago. That’s why it took me by surprise when a graduate level course in music history that I was taking wandered into a discussion on the topic of popular music.

Even more surprising was the statement made by our professor – “Pop Music is Dead.” I listen to popular music on the radio more often than classical. Most of my listening happens in the car, and my commute is short; I can’t stand listening to only half of a piano concerto on my way to work.

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Anglican Arrogance: Small-Minded Choirmembers

What is “Episcopal” music?

We often hear people express concern about losing ties to our Anglican heritage, which dates back about 500 years. One area that draws attention is music. To approach the question of what is official Episcopal music, we might look to our own denominational hymnbook, The Episcopal Hymnal (1982). Compiled by the Standing Commission on Church Music, this edition surely reflects what is both traditional and sanctioned. A brief sampling of selections from TEH ‘82 should shed some light on what is authorized and what is not.

First, a survey of origins will be useful. Of the 726 hymns in this book, several are Gregorian chants, which originated in the Middle Ages. They were codified under Pope Gregory in the 8th century and compiled in the Roman Catholic Liber Usualis. An example of chant (or “plainsong”) is Of the Father’s Love Begotten. Naturally, it existed only in Latin for centuries. Other chants in the hymnal include Russian Orthodox, Slovak and Czech.

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